Seedance 2.5 Pearl-White Electric Sedan Prompt

@image 1 is the first frame and the look of shot 1. @image 2 is shot 2. @image 3 is shot 3. @image 4 is shot 4. @image 5 is the final aerial composition of shots 5 and 6. @image 6 defines the car's design and pearl paint only; do not take its studio background. A premium electric car commercial in six shots with hard cuts: a pearl-white electric sedan drives fast through a smog-choked industrial city, and everything it passes turns green behind it. Constants for every shot: the car keeps its exact design, pearlescent white paint and plain graphite wheel caps, and drives left to right at a steady 60 km/h. The transformation always happens right behind the car and spreads backward; everything ahead of the car stays rusted, grey and smoggy. Real panning motion blur on everything the car passes. Shot 1 [0-3s]: close car-to-car tracking shot in pure side profile at wheel-hub height, as in @image 1. The car speeds past soot-black brick and rusted metal in grey smog. End state: the car fills the frame, the facade at the left edge starts to turn green. Cut. Shot 2 [3-5s]: tight tracking insert on the rear quarter, as in @image 2. Exactly at the rear bumper, ivy and pink blossom race across the sooty brick wall. End state: the wall behind the car is green, the wall beside the car body is still grey. Cut. Shot 3 [5-7s]: static camera 20 cm above the wet asphalt, as in @image 3. The car flashes past as a blurred streak; right behind it wildflowers burst up through the cracks and the puddle turns into a flower bed. End state: flowers sway in the car's wake, the asphalt on the right is still grey. Cut. Shot 4 [7-11s]: medium tracking shot in pure side profile, as in @image 4. Behind the car the street is green and sunlit, ahead of it still industrial; a chimney behind the car stops smoking and wraps in greenery. End state: the car is the dividing line between green and grey. Cut. Shot 5 [11-15s]: aerial shot. The camera starts low above the road and rises and pulls away in one smooth move to the high wide view of @image 5: the whole city behind the car is green, with rooftop gardens, trees and clear sky, while the district ahead is grey factories under brown smog. The car keeps driving left to right along the border. End state: the composition of @image 5. Shot 6 [15-18s]: the same aerial shot continues without a cut, the camera almost still. The whole image fades down evenly in exposure, like a fade-out in the edit, to about a third of its brightness; colours and time of day stay the same. White text fades in, centered in the upper part of the frame over the sky, in a thin, widely letter-spaced sans-serif, on two lines: "Every street can change." "It just needs someone to drive through it." End state: a dark, steady frame with both lines fully legible and still. Light: flat, smog-diffused grey daylight ahead of the car; warm late-morning sun from the upper left behind it. Sound: the electric whine of the motor, tires hissing on wet asphalt, wind rushing past; behind the car birdsong and rustling leaves rise as the city turns green. In the last three seconds all sound fades down to a quiet wind. [SOUND] Strictly only naturally occurring sound and foley, no music allowed. On-screen text: only the two lines above, in English, spelled exactly as written, appearing once and then staying still. No subtitles, no other text, no garbled characters. Keep the car's design, pearl paint, wheel caps and direction consistent in every shot.