Seedance 2.5 Woman Chasing Departing Bus Cinematic Realistic Prompt

Photorealistic live-action Korean city scene at dusk, with exactly two adult Korean characters. Preserve Seolran and Mujin’s exact faces, hairstyles and natural body proportions from the provided character references, but dress them in realistic casual everyday clothes: Seolran in a light beige cardigan, simple white top, relaxed blue jeans and sneakers; Mujin in a dark casual jacket, plain grey T-shirt, black pants and sneakers. Mujin is already waiting alone at a quiet city bus stop with a backpack, checking the road. A realistic city bus arrives and stops. He boards normally, finds a seat near the window, and the bus begins moving away. A few seconds later, Seolran appears in the distance running toward the bus, clearly late and trying to catch it. The bus has already started moving slowly, so she runs after it while waving toward Mujin. Mujin notices her through the window, immediately gets up, moves toward the front door and signals the driver to stop. The bus slows and the door opens again. Mujin steps down slightly, reaches his hand toward Seolran, and she grabs his hand while still catching her breath. He firmly but naturally pulls her onto the bus, without aggression or exaggerated movement. She quickly steps inside, breathless and relieved, while he gives her a small amused smile. The doors close and the bus drives away. Use exactly 7 distinct realistic shots: 1) wide shot of Mujin waiting at the bus stop, 2) medium shot as the bus arrives and he boards, 3) interior window shot showing the bus beginning to leave, 4) long street shot revealing Seolran running after the departing bus, 5) handheld interior shot of Mujin noticing her through the window, 6) close exterior shot of Seolran reaching his hand and Mujin pulling her aboard, 7) final interior shot of both standing near the door as the bus drives through the evening city. Make it look like genuine real-world smartphone footage: natural dusk lighting, realistic bus movement and braking, authentic street ambience, engine noise, footsteps, running sounds, breathing, fabric movement, imperfect handheld camera shake, subtle autofocus shifts, realistic motion blur, natural facial expressions and believable physical interaction. The bus must move at realistic speed and stop naturally. The hand-holding and pulling motion must have correct anatomy, realistic weight and balance. No school elements, no uniforms, no dramatic stunt movement, no slow motion, no music, no subtitles, no logos, no watermarks, no CGI, no exaggerated acting, no extra limbs, no distorted hands, no impossible physics. The entire scene should feel like an ordinary spontaneous moment captured in real life.