Seedance 2.5 地铁反手击倒追击 电影写实提示词

VIDEO PROMPT — 30.3 seconds, 16:9, live-action cinematic realism, cold fluorescent subway lighting with teal-green accents, handheld camera energy, sharp commercial-film look. Revenge-comedy action. Keep faces, outfits and location identical in every shot. All shots run in REAL TIME (no slow motion, no fast-forward). Keep the fight non-gory. CHARACTERS (repeat in every part) WOMAN: Korean woman in her 20s, shoulder-length black bob with bangs, black sunglasses pushed up on top of her head, small hoop earrings, silver rings, brown-black leather jacket over a cream top, dark mini skirt, cream knee socks, black knee-high boots, brown leather shoulder bag. MAN: Korean man in his 20s, short messy dark hair with bleached blonde tips, dark-green bomber jacket over an off-white t-shirt, dark blue jeans, a mocking grin. LOCATION: Seoul subway station. Stairwell with cream tile walls, fluorescent tube lights, metal handrails, yellow tactile strips and green floor markers. Platform with a teal-green train behind glass platform doors, long cream-tiled wall, commuters standing far back. ===== PART 1 (00:00-00:08) ===== SHOT 1 (00:00-00:01.0) — The Hit [Panel 1, 0.0s] Over-the-shoulder rear view on the stairs. The man (back of his blonde-tipped head, left foreground) walks right behind the woman as they go down. He glances at her, then swings his arm and hits her on the back of the head with a sharp backhand strike. Handheld. SHOT 2 (00:01.0-00:03.6) — The Fall and Laugh [Panel 2, 2.2s] Low angle on the stairs. The hit knocks her sideways, hair flying, and she stumbles into the metal handrail and drops hunched over, gripping it. The man stands above her with one leg planted, then steps down past her laughing. Handheld. SHOT 3 (00:03.6-00:05.4) — He Walks Off [Panel 3, 4.3s] Behind her. She stays hunched, gripping the handrail, while the man walks down the stairs away from her toward the platform, smug. SHOT 4 (00:05.4-00:08.0) — The Chase Begins [Panel 4, 6.5s] Rear following shot. She straightens up, grips the handrail and runs down the stairs after him. He is ahead on the steps, glancing back at her and hopping down. Handheld, steady follow. ===== PART 2 (00:08-00:18.2) ===== SHOT 5 (00:08.0-00:09.0) — Last Steps [Panel 5, 8.6s] Rear shot as she reaches the bottom of the stairs, hand sliding along the handrail, the teal train glass doors and the platform visible ahead. SHOT 6 (00:09.0-00:11.0) — Platform Sprint [Panel 6, 10.8s] Wide low angle along the platform. The man steps into an open train door. She sprints along the platform toward him, lunges at the doorway and pushes at him as the doors begin to close. Commuters stand far down the platform. SHOT 7 (00:11.0-00:12.7) — Pressed to the Glass Behind her, wide: the doors have closed. She stands with her palms flat against the glass door, the man inside, unreachable. SHOT 8 (00:12.7-00:16.0) — The Taunt [Panels 7 (12.9s) and 8 (15.1s)] Over-her-shoulder two-shot. The back of her bob in the right foreground, her ringed hand flat on the glass. The man leans out behind the door glass with a smirk and makes mocking gestures: a fist, a finger tapping his cheek, then a wide laugh. White subtitle appears at the bottom from about 00:15.7: "Are you kidding me?" SHOT 9 (00:16.0-00:18.2) — Laughing Closer [Panel 9, 17.2s] Closer two-shot. He laughs with his face almost against the glass, subtitle "Are you kidding me?" still on screen until about 00:17.3. Her profile on the right is cold and angry, jaw tight, sunglasses on her head. Shallow depth of field, blurred platform behind. ===== PART 3 (00:18.2-00:30.3) ===== SHOT 10 (00:18.2-00:19.9) — The Punch [Panel 10, 19.4s] Her leather-sleeved fist punches the glass door. The glass shatters into a web of cracks with a hole in the middle. Through the hole we see the man's face change from laughing to shocked, mouth open, eyes wide. SHOT 11 (00:19.9-00:21.9) — Through the Door [Panel 11, 21.5s] Wide low angle on the platform. The shattered glass falls at the door. She steps into the broken doorway in her black boots and grabs the man by his shirt and jacket. They struggle in the doorway while passengers stand frozen inside the train. SHOT 12 (00:21.9-00:23.4) — Pulled Out She pulls him out of the train doorway by his jacket. He stumbles forward, falls hard onto the platform floor, and she drags him along the floor by his jacket. SHOT 13 (00:23.4-00:27.0) — Wall Slam [Panels 12 (23.7s) and 13 (about 25.8s)] Long-lens wide shot down the platform, the cream-tiled wall on the right and the train doors on the left. They grapple for a moment, then she grabs him with both hands, swings him around and flings him sideways. He flies through the air, legs kicking, slams into the tiled wall and slides down to sit slumped against it. She stands a few steps away, composed, in her boots, jacket and skirt. SHOT 14 (00:27.0-00:30.3) — "Don't Mess Around" [Panel 14, about 28.0s] Close-up of the man sitting against the wall, terrified, looking up, commuters blurred behind. Her arm in the leather sleeve slams against the wall beside his head. She leans in close until their faces almost touch, eyes locked on his. White subtitle at the bottom from about 00:27.9: "Don't mess around." She pulls back and leaves the frame, he stays frozen, still looking up. Hold, then end. MASTER EFFECTS INVENTORY 1. Hit to the head from behind and fall against the handrail (Shots 1-2). 2. Handheld stair chase and follow shots (Shots 3-5). 3. Over-the-shoulder taunt through the glass (Shots 8-9). 4. Glass-break punch with falling shards (Shots 10-11). 5. Low-angle platform wides, door pull-out and wall slam (Shots 11-13). 6. Subtitle overlays: "Are you kidding me?" and "Don't mess around." 7. Shallow depth of field in the close-ups (Shots 9, 14). ENERGY ARC Part 1 (0-8s): shock, humiliation. Part 2 (8-18s): chase, then taunting tension. Part 3 (18-30s): explosion, takedown, final threat.