Seedance 2.5 银色特斯拉Roadster提示词

16:9 HORIZONTAL | 15 SECONDS | 720p | PHOTOREALISTIC CINEMATIC | 5 SHOTS WITH HARD CUTS The character reference image is THE MAIN CHARACTER, the sole reference for identity, full body and outfit. The car reference image is THE CAR, the 2026 Tesla Roadster, the sole reference for the vehicle's exact design, shape, color and materials. IDENTITY AND OUTFIT — CHARACTER REFERENCE Use the character reference's exact face, facial structure, skin tone, apparent age, hair color, hairstyle, height, body shape, proportions and distinguishing features. Dress the main character in EXACTLY the clothes, shoes and accessories shown in the character reference: same garments, colors, fabrics, fit, patterns, logos and jewelry. Do not invent or swap any clothing. Keep the face, body and outfit identical in every shot. VEHICLE — CAR REFERENCE Match the car reference exactly. A 2026 Tesla Roadster in satin silver-grey with a soft metallic sheen. An extremely sharp, angular, low wedge-shaped supercar body made of flat faceted panels and crisp creases. A long flat hood sloping down to a pointed nose with a thin full-width white LED light bar across the front edge and small angular headlight slits at the corners. A large smoky dark-tinted glass canopy roof flowing from the windscreen over the cabin. Black lower body and front splitter, a black side skirt, a sharp angled rear wing, and black multi-spoke wheels with silver-grey accents. Low, wide stance. No other colors, no redesign. Interior: minimal futuristic cabin with black and grey seats, a slim center console with cupholders, a large tablet-style touchscreen, a small steering yoke, and the tinted glass canopy overhead. CAST MAIN CHARACTER: the driver, from the character reference. WINDOW CLEANER: an original adult street window-washer working the traffic jam. Scruffy and cheerful, wearing a faded grey hoodie, cargo pants and worn sneakers. He carries a red plastic bucket of soapy water in one hand and a wet blue towel in the other. He only appears outside the car. SETTING Midday on a busy Manhattan-style avenue: tall stone and glass skyscrapers, yellow taxis, a white box truck, rows of everyday cars packed bumper to bumper. Soft, slightly hazy daylight with clean natural shadows. Wide horizontal framing that shows the full width of the avenue and the packed lanes. SHOT 1 — 0–2s — AERIAL TRAFFIC Wide high drone shot looking down the gridlocked avenue. The silver-grey Roadster sits in the middle lane, its angular shape and dark glass canopy standing out among the ordinary cars, boxed in by a delivery truck, taxis and sedans. Between the cars, the window cleaner weaves through traffic with his bucket, heading straight for the Roadster. The camera slowly pushes down toward its roof. SHOT 2 — 2–5.5s — THE OFFER Hard cut to the cabin, side view from the passenger side, framed wide enough to show the driver, the console and the driver's window. The main character sits slumped back in the driver's seat, bored, scrolling on their phone. A takeaway coffee cup with a white lid sits in the console cupholder. The window cleaner appears at the driver's window, grinning, holding up the dripping towel and bucket, and taps on the glass with a knuckle. He slaps the wet towel onto the windscreen and starts wiping without waiting for an answer. The main character looks at him, gives a fake polite smile and a small "no thanks" shake of the head. Then, without breaking eye contact, they casually reach down and press a button on the console with one finger. SHOT 3 — 5.5–8.5s — LIFT-OFF WITH SMOKE Hard cut to street level, low wide angle, with the window cleaner in the foreground beside the car, towel raised mid-wipe. The Roadster suddenly launches straight up vertically out of the jam with a violent burst. At the moment of launch, a thick cloud of grey-white smoke and road dust explodes outward from underneath the car, billowing across the asphalt, rolling around the wheels of the nearby taxis and the truck, and swallowing the window cleaner's legs. The blast knocks his bucket over, splashing soapy water through the smoke, and the towel is yanked from his hand and stays stuck to the windscreen. As the car rockets upward, a thick trail of white-grey smoke streams out beneath it and curls behind it, twisting in a messy spiral as the car flips and tumbles end over end between the skyscrapers against the pale sky, its silver faceted panels flashing in the sunlight and its light bar glowing. The camera tilts up to follow the car and its smoke trail. The window cleaner is left standing frozen in the drifting haze, empty hand still in wiping position, coughing slightly and waving smoke away from his face while staring up with his mouth open. The smoke slowly spreads and lingers over the stuck traffic. SHOT 4 — 8.5–12s — PANIC INSIDE Hard cut back into the cabin, same side view as Shot 2, now with violent, chaotic camera shake. The main character is thrown back and sideways in the seat, mouth wide open screaming, eyes huge with terror. They drop the phone, which bounces off the dashboard and flies past their face. They grab the roof handle above with one arm while bracing against the dashboard with the other, their body slamming against the seat and door with each tumble, hair whipping around. The coffee cup jolts out of the holder and coffee splashes across the console and their lap. The cleaner's wet blue towel is still plastered across the windscreen, flapping wildly in the wind. Wisps of smoke whip past the windows, and the skyline and sky spin by through the tinted glass canopy. Warning lights flash red across the touchscreen. SHOT 5 — 12–15s — FULL MELTDOWN Hard cut to a tight front view through the windscreen, looking straight at the main character's face, with the camera shaking hard and the world spinning behind the car. The blue towel is half peeled off the glass, flapping and slapping across the view, revealing the main character in total meltdown: screaming nonstop, face pale, eyes wide, cheeks rippling from the G-force. They frantically jab the console button over and over with a shaking finger, then grab the steering yoke with both hands and yank it in every direction with no effect. Their phone and droplets of spilled coffee float and spin around the cabin in a weightless moment between tumbles, then crash back down. The sky, skyscrapers and street flip past through the glass upside down and back again, smoke streaming over the hood. The towel finally rips off the windscreen and flies away. End mid-scream, still tumbling. AUDIO City traffic ambience and distant horns in Shots 1–2, the knuckle tap on the glass, the wet slap and squeak of the towel, the soft click of the button, then a sudden deep thruster roar and whoosh at lift-off with a heavy blast of air, the bucket clattering and water splashing, the cleaner coughing, rushing wind and the towel flapping against the glass during the tumble, a rapid electronic warning alarm beeping in Shots 4–5, the frantic clicking of the button being jabbed repeatedly, and the main character's continuous panicked screaming building louder through Shots 4–5. A trending comedic beat with a hard drop exactly at the lift-off. REALISM Live-action, high-fidelity, natural daylight, realistic motion blur, believable physics for a car being flung into the air, volumetric smoke that billows, swirls and dissipates naturally and is lit by the daylight, realistic reflections on the satin silver panels, realistic splashing water, coffee and fabric, real skin texture and genuine terrified expressions. The car's design and color stay identical to the car reference across all shots. AVOID Identity or outfit drift, any car design other than the car reference, the car turning red, white or any other color, rounded or curvy body shapes, the window cleaner getting inside the car or being hurt, extra passengers, the towel disappearing between Shots 3 and 4, fire, flames or explosions (smoke and dust only), smoke vanishing instantly, smooth graceful flying, the main character calming down or regaining control, cartoon or 3D-animation look, slow motion, extra cuts beyond the five shots, any on-screen text or captions, other logos, watermarks.