Seedance 2.5 泰拳格斗者在集市连战十名敌人 电影写实提示词

REFERENCE @image1 = adult Character A. Preserve exact identity, face, eyes, hair, skin, body, outfit and accessories. A's mouth remains EMPTY from the first frame through the last. Remove any mouth lollipop shown in the reference. No sucking, licking, chewing or candy in the mouth. Exactly ONE A and TEN distinct adult male enemies E1–E10, all present from the opening. Exactly TEN face strikes: seven punches and three elbows, one per enemy. E3 carries one folding knife; E2 carries one wooden bat; all others are unarmed. STYLE + LOCATION Ultra-photorealistic real live-action Japanese action cinema. Wet market street in overcast daytime: timber stalls, wooden counter, stone wall and shoe storefront. Clear fighting lane; no civilians in combat paths. 1990s 35mm analog look: heavy organic grain, emulsion texture, pro-mist bloom/halation, teal-orange undertones, dramatic shadows and vintage imperfections. ARRI ALEXA 35 / Cooke anamorphic look. Real actors, physical props, natural anatomy and weight. PROP Exactly ONE bare white lollipop stick, ZERO candy, already inside A's existing RIGHT trouser pocket. It stays concealed until the final enemy approaches. Never place it in A's mouth. No second lollipop or duplicated stick. ACTION — CONTINUOUS MUAY THAI Balanced Muay Thai guard, compact parries, hip-driven punches, brief clinch control, knee, roundhouse kick and elbows. Each recovery immediately loads the next attack. One enemy commits at a time; the next closes during the previous recoil. No waiting, neutral reset, wrestling throws, floor rolls or decorative acrobatics. A stays silent. All reactions follow physical contact. 0–2s — E3 E3 lunges with the knife and shouts 「邪魔だ！」. A steps outside the blade and delivers ONE RIGHT face hook at 1.00s. E3 drops the knife and crashes into the merchandise stall. A is already moving toward E4. 2–4s — E4 E4 attempts a rear clinch. A pivots into close control, delivers one compact torso knee, replants and lands ONE LEFT face hook at 3.00s. E4 stumbles into the wooden counter; A immediately releases toward E1. 4–6s — E1 E1 throws an overhand punch. A parries, changes angle and lands ONE RIGHT face cross at 5.00s. E1 falls beside the route while A advances toward E2. 6–8s — E2 E2 swings the bat. A evades, delivers one compact Muay Thai roundhouse kick to the torso and retracts directly into ONE LEFT face uppercut at 7.00s. E2 drops the bat and crashes into the wooden entrance. A immediately turns toward E5. 8–10s — E5 E5 punches. A redirects the forearm and lands ONE LEFT face hook at 9.00s. Before E5 finishes falling, A moves directly toward E6. Continue through 10s without a cut-to-black, pause or scene reset. 10–12s — E6 / SOK KLAP A parries E6's straight punch, makes one compact planted turn and delivers ONE RIGHT spinning back elbow to the face at 11.00s. E6 recoils against the stone wall. A recovers directly toward E7. 12–14s — E7 / SOK SAB E7 reaches for a clinch. A frames inside and delivers ONE LEFT downward chopping elbow to the face at 13.00s. Release immediately toward E8 as E7 falls onto clear paving. No throw. 14–16s — E8 / SOK NGAT E8 presses forward behind a forearm frame. A maintains standing balance and delivers ONE RIGHT rising elbow to the lower face at 15.00s. A immediately angles toward E9. No floor roll. 16–18s — E9 / MAT SOI DAO / THE POCKET A parries E9's straight punch and lands ONE LEFT Muay Thai face uppercut at 16.75s. E10 attacks during E9's recoil. While evading, A physically extracts the bare stick from the RIGHT trouser pocket at 17.25–17.90s. Close-up: fingers enter the pocket, grip the stick and pull it completely clear. The RIGHT fist closes around it with the bare end protruding outside. The left hand guards; eyes track E10. A's mouth remains empty. 18–20s — E10 / THE LAST UPPERCUT E10 shouts 「ふざけんな！」. A parries, steps into range and delivers ONE RIGHT Muay Thai uppercut at 18.50s, still gripping the SAME stick. Extreme close-up retains fist, chin and exterior stick. Hand and oblique angle conceal insertion using a practical prop illusion; no visible penetration or exposed injury. A keeps holding the stick through contact, splash and initial recoil. After the 18.50–18.75s micro-slow, fingers open and the EMPTY hand withdraws. The stick remains externally lodged at E10's chin through the final frame. Around 19.25s, E10 falls into the shoe display. Body contact happens BEFORE boxes and shoes scatter. A follows through, regains balance and keeps moving past the collision. End at exactly 20s with A's empty mouth readable, E10's attached stick visible, all previous aftermath preserved and debris still falling. No victory pose. IMPACT + CAMERA EVERY face strike uses a moving EXTREME CLOSE-UP: FIST contact for E3, E4, E1, E2, E5, E9 and E10. ELBOW contact for E6, E7 and E8. At each listed face-contact time, use exactly 0.25s micro-slow: 120fps conformed to 24fps, 20% speed, then immediate full speed. Ten micro-slows total 2.50s; the remaining 17.50s plays at normal speed. Bodies, droplets, background and camera share the ramp. No freeze or replay. CONTACT → brief plausible compression → ONE small dark-red theatrical splash from the nose or outer lip → recoil. Use dark-red theatrical liquid with wet sheen, slight viscosity, surface tension, gravity-driven droplets and persistent specks. Injuries stay concealed; no exposed wounds or excessive spray. The torso knee and kick remain normal speed with no liquid effect. Moving medium views establish guard, footwork, clinch and kick; close-up shows pocket extraction. Preserve street geography, fallen enemies, dropped weapons, damage and stains across every cut. Furniture breaks only after contact. AUDIO + RULES Japanese enemy dialogue and original or royalty-free diegetic sounds: footsteps, punches, elbows, knee, kick, cloth, pocket friction, stick handling, gasps, furniture collisions, debris and breathing. NO MUSIC. No subtitles, text, logos or watermark. No cartoon, anime, CGI humans, clones, teleportation, extra face strikes, reactions before contact, candy in A's mouth, disappearing stick, exposed injuries, excessive liquid, idle poses, freeze, fade or cut to black.