Seedance 2.5 穿橙色Quechua外套的女模特提示词

Create a video ad from [image1], [image2]. Use the input female portrait to lock the model identity: long straight chestnut-brown hair, natural side part, brown eyes, defined eyebrows, delicate facial features, softly defined jawline, warm natural skin tone, calm restrained performance-ad presence. Use the input product image to lock the garment: Quechua bright orange waterproof technical jacket, sculptural orange hood with black lining, central black waterproof zipper, two vertical black zippered chest pockets, long sleeves, adjustable cuffs, technical panel construction, realistic waterproof fabric texture, authentic Quechua branding. The model wears dark hiking trousers, practical hiking boots, and a compact outdoor backpack. All visible text must be English only, and the only visible brand is Quechua. The film is a 30-second outdoor adventure commercial. The image language is natural, cinematic, and expensive, but the music must feel dynamic: uplifting electronic rhythm, around 124–132 BPM, with deep bass drums, fast electronic hi-hats, short metallic hits, synth pulses, wind, bridge creaks, rain texture, zipper sounds, and foot-splash impacts forming the rhythm. Every hard cut, foot landing, bridge movement, zipper pull, water drop impact, and head turn must land precisely on a drum hit or musical accent. The music is not background atmosphere; it is the main engine of the edit. 0–2s: lush Amazon rainforest valley in natural morning light, with green canopy, atmospheric mist, and an old suspension bridge crossing above a flowing river. Double composition: a small full-body model stands on the left wearing the orange Quechua jacket, dark hiking trousers, and hiking boots; a large frontal half-body portrait dominates the right side, hood down, central zipper and chest pockets clearly visible. The model looks toward the opposite side of the bridge, with only a subtle forward movement around 1s, while the music enters with low-frequency pulses and fast electronic rhythm. 2–4.5s: a heavy drum hit cuts hard into a suspension-bridge crossing shot. Frontal half-body close-up as the model walks across the bridge, rainforest and river visible behind her. Wind moves surrounding leaves and her hair. Storm clouds gather over the canopy as the first raindrops strike her shoulders. Natural light illuminates her face, orange hood, and water beads on the jacket. Each rain impact follows the fast electronic hi-hat texture. 4.5–6.5s: top-down tracking shot of the model crossing wet wooden bridge planks. The river is visible between the boards. The camera stays close above her body, showing the orange jacket, swinging arms, dark hiking trousers, boots, and splashing water. She accelerates toward the opposite bank as rainfall intensifies. Each foot landing bursts water outward and triggers a short metallic accent. 6.5–9s: stay in the real rainforest environment. Water beads sit on the orange waterproof fabric and slide along seams; the central zipper, black chest pockets, hood, and cuffs flash through natural light. The model raises the hood, tightens its adjustment, and closes the zipper while continuing across the bridge, each action landing on a clear metallic beat and synth pulse. 9–12s: rainforest side-running wide shot. Use diffused natural light filtering through the canopy, wrapping around the body and rain haze. The model runs left to right toward the opposite bank; hiking boots, wet ground reflections, tropical leaves, and drifting mist flash briefly. The suspension bridge recedes behind her as she enters the jungle trail. The music moves into denser drums, and the image cuts follow her running cadence. 12–16s: rain portrait close-up. Three-quarter side face, hood up, long chestnut-brown hair moving naturally in the wind. Rain covers the orange hood and shoulders. Her facial features remain consistent with the reference portrait. A small Quechua mark on the jacket is visible but understated. Dense water beads cover the fabric while rain lines cross the background. The model slowly turns her head toward the trail, and the end of the turn lands on a deep bass hit. 16–20s: waterproof detail climax. Extreme close-ups of orange shoulder water beads, cuffs, vertical chest pockets, central zipper, hood seams, and jacket adjustment details. Water forms round droplets and rolls off the surface; natural light travels across the fabric texture while the jacket remains matte and water-repellent. Editing becomes faster, alternating water beads, zipper, hood adjustment, and boot-splash impacts on the beat. 20–24s: keep the entire section inside the rain-soaked Amazon rainforest. Intercut foot splashes, running side silhouettes, orange fabric water beads, rain falling from tropical leaves, shoulder seams, and zipper details. The cuts move quickly between the model’s sharp side face, defocused shoulder, boot splash, and macro fabric droplets as bass drums, electronic hi-hats, and percussion become denser. She pushes through the final stretch of vegetation and emerges into a small clearing. 24–27s: main half-body hero stance. The model stands slightly right of center in the rainforest clearing, hood up, surrounded by lush green foliage and rain haze. The central zipper is vertical and clean; the two black chest pockets and orange hood are clearly visible. The music pauses for half a beat, then the low end drops back in. Small white sans-serif text appears at the side: “QUECHUA WATERPROOF JACKET”. 27–30s: final end frame. Rain-soaked rainforest background. A giant close foreground crop of the orange jacket shoulder and hood fills almost half of the left side, showing fabric texture, seam lines, water beads, and a small Quechua mark. Far on the right, the full-body model stands on the muddy trail near the suspension bridge, wearing the same orange jacket, dark hiking trousers, and hiking boots, illuminated by natural light breaking through the canopy. Final minimal text only: “QUECHUA — READY FOR THE OUTDOORS”. The music resolves with a strong low-frequency tail and rain sound, leaving clear rainforest ambience in the final second.