Seedance 2.5 女主角与两名买家在沙漠中交换表盒提示词

Create a video ad from [Image 1], [Image 2], and [Image 3]. Create a desert crime-fashion luxury watch commercial. The product inputs control the exact case geometry, metal construction, dial colors, mechanical complications, strap materials, gemstones, English labels, and brand identities of all three watches: the rose-gold-toned Jacob & Co. Bugatti Chiron Tourbillon with red automotive-inspired dials and exposed engine movement, the rose-gold Jacob & Co. skeleton watch with an orange honeycomb rubber strap and gemstone-set bezel, and the rose-gold-toned watch with a deep-green skeleton dial and green strap. The watches appear only inside the tan hard case and in the final product shot, with the Bugatti Chiron Tourbillon briefly lifted during the inspection. Keep all three watches consistent with their respective product images. Use exactly three adult characters. Party A, the female lead: tall and elongated, a cool restrained couture-model face, sharp cheekbones, a chin-length black bob, an oxblood silk coat, black turtleneck, high-waisted flared trousers, black leather gloves, and pointed boots. Party B, buyer one: short pale-blond hair, camel micro-check suit, black turtleneck, dark teal wide trousers, and white gloves; he carries the tan watch case. Buyer two: short dark hair, charcoal double-breasted suit, and black leather gloves; he drives the sage coupe. Keep all three identities, wardrobes, and responsibilities stable. Use exactly two unbranded 1970s-inspired cars. The female lead always belongs to the caramel-amber convertible. Both male buyers always belong to the pale sage-green two-door coupe. Use one tan watch case and one structured black leather bag throughout. Before the exchange, the tan case belongs to the men and the black bag belongs to the woman. After the exchange, the woman carries the tan watch case back to the amber convertible, while the men carry the black bag back to the sage coupe. 0-2s: Desert roadside under hard midday sun. Low camera beside the caramel-amber convertible door. The lead sits behind the wheel with one black-gloved hand resting on it, calm and unreadable. Cut to a rear-view mirror close-up filled by her eyes while the pale sage coupe appears in the distance outside the mirror. Begin with engine idle and dry percussion. 2-4s: Vertical aerial view of the desert intersection. The amber convertible is parked in the lower-left area of the frame. The sage coupe approaches from the upper-right and stops opposite it. Hold the aerial view long enough to establish two separate cars arriving from different directions and belonging to different parties. Keep their colors, models, and positions stable. 4-7s: The doors open in sequence. The lead exits the amber convertible carrying the black leather bag in her right hand. The blond buyer exits the passenger side of the sage coupe carrying the tan hard case with both hands. The dark-haired buyer remains near the driver side of the sage coupe. Begin with low shoe, door, bag, and case details, then cut to one stable medium-wide master shot: the woman approaches from frame left, the two men from frame right. The woman always holds the black bag; the blond man always holds the tan case. 7-9s: They stop beside the hood of the sage coupe. Use a stable 50mm medium-wide shot containing all three adults, both cars, and both containers. The blond man places the tan case on the sage hood. The woman places her black leather bag beside it. They confirm the deal only through eye contact. This shot clearly establishes that the tan case came from the men and the black bag came from the woman. 9-13s: The blond man opens the tan case with white-gloved hands. It is lined with oxblood velvet and contains the three luxury watches in separate fitted compartments. Use stable macro inserts for the red automotive-inspired dials, sculptural rose-gold-toned case, and exposed engine-inspired movement of the Bugatti Chiron Tourbillon; the orange honeycomb strap, gemstone-set bezel, and skeleton dial of the second watch; and the deep-green skeleton dial, green strap, and exposed mechanical complications of the third watch. Preserve the exact design, proportions, materials, and visible brand markings of each uploaded product image. The woman remains opposite the case, briefly lifts the Bugatti Chiron Tourbillon for inspection, then returns it to its original compartment. Keep her hand, the watch, and the open case in the same readable composition. The other two watches remain undisturbed in their original compartments. The blond man closes the case. 13-17s: Use one stable exchange master shot without changing positions. The tan watch case and black leather bag sit side by side on the sage coupe hood. First, the woman slides the black bag toward the blond man. He receives it and places it beside himself. Next, he slides the closed tan watch case toward the woman. She takes its handle and lifts it. Add only two short inserts: the white glove taking the black-bag handle and the black glove taking the tan-case handle. End with an unmistakable state: the woman owns the tan watch case containing all three watches, and the men own the black leather bag. 17-20s: Oblique aerial view preserves the geography. The woman carries the tan watch case back to the amber convertible on the left, places it on the passenger seat, starts the car, and drives away along the road. The two men remain beside the sage coupe on the right, with the black leather bag resting on its hood. No additional containers appear. 20-24s: The blond man unzips the black leather bag while the dark-haired man stands beside him. A clear overhead close-up reveals only empty lining inside, with no payment. The white-gloved hand freezes above the empty bag. Cut to the blond man’s face: his gaze moves from the empty bag toward the departing amber convertible and his jaw tightens. Cut to the dark-haired driver turning toward the road. Drop the music for one full beat, leaving only the zipper, desert wind, and distant engine. 24-25s: Rapid causal montage. The black bag snaps shut. The sage coupe door closes. The dark-haired driver turns the ignition. The blond buyer enters the passenger seat. The rear tires throw dust from the shoulder. Bring the low end and percussion back with greater weight. 25-27s: Begin the pursuit. A low car-mounted shot rides beside the sage coupe’s front fender as it launches onto the road. Hard cut to the amber convertible’s rear tire and tail. The sage coupe appears inside the convertible’s rear-view mirror and gradually grows larger. Preserve the vehicle relationship: amber convertible leading, sage coupe pursuing. 27-28.5s: High telephoto aerial view of both cars racing along a straight desert highway. The amber convertible remains ahead while the sage coupe follows. The camera dives forward as the road and desert scrub move backward. Maintain a clear distance and avoid collision. 28.5-30s: Hard cut to the amber convertible’s passenger seat. The tan case is open, holding all three watches upright against oxblood lining in their original fitted compartments. The Bugatti Chiron Tourbillon, orange-strap skeleton watch, and green skeleton watch remain individually recognizable and faithful to their respective product images. Keep the watches stable relative to the camera while the desert outside becomes a horizontal speed blur. Sunlight passes across each watch’s rose-gold-toned case, dial details, gemstones, exposed mechanical components, and strap materials. Finally reveal the authentic visible brand markings. End with one clean bass impact and the engine receding. Use a saturated 1970s reversal-film look: dense cyan-blue sky, ochre sand, oxblood clothing, sage and caramel-amber bodywork, deep blacks, warm highlights, fine 35mm grain, restrained halation, and subtle physical camera weave. Build the camera language from low car-window framing, rear-view reflections, vertical aerial views, glove-and-clasp macros, a stable exchange master shot, vehicle vibration, and fast lateral pans. Use a newly composed desert crime-fashion score at roughly 128 BPM. Keep dry percussion and restrained low end during the meeting and inspection, tighten the arrangement after the exchange, remove the beat for one moment at the empty-bag reveal, then return with heavier low end, denser percussion, and rising engine revs for the chase. No dialogue, voiceover, or subtitles. Keep all visible product wording in English.