Seedance 2.5 赤脚女英雄从沼泽拔出冰矛并完成变身提示词

A 20-second vertical 9:16 video, shot as real handheld footage of a practical-effects fantasy scene. Real people, a real spear, a real grey misty bog. The camera stands on the far bank, with two dark elves just behind it, unseen at first. The woman from the references walks barefoot through the bog toward the camera, pulls an ice spear out of the mud, frost races up her arm and ice grows over her body, she roars and hurls the spear at a dark elf woman. In a close shot the spear streaks at the elf woman's chest, but a hand from the side snatches it out of the air inches from her: a dark elf man saved her. Furious, he glares across the bog. The elf woman draws an arrow and shoots the hero. In a wide shot the arrow flies at her, she sweeps her arms apart and a wall of ice erupts in front of the arrow. The video ends on the hero's face with a confident smile. REFERENCES (four images). Each image may be a collage of a full-body figure and an inset face close-up. Use all parts as information about ONE character, but show ONE person only, never the collage layout, inset panel or the foggy forest background. - Image 1 = HERO before the transformation. Full-body part: body, dress, jewellery, barefoot. Close-up part: the exact standard for her face, skin, freckles and hair in every shot where she is visible. - Image 2 = hero AFTER the transformation: the ice armour (details below), rendered as real ice and frost, not neon. IGNORE the spear and background in it. - Image 3 = DARK ELF WOMAN only: long wet black hair with a centre parting, pointed ears, amber-yellow eyes, freckled skin with dark red streaks on forehead and cheek, black-and-silver scale armour with layered shoulder plates, leather straps, bracers, long black skirt with a high slit, black thigh-high stockings, tall laced boots, quiver on her back, recurve bow in her left hand. - Image 4 = DARK ELF MAN only: short black hair and beard, pointed ears, dark brown eyes, dark skin, black plate-and-leather armour with layered shoulder plates, black tabard with a pale silver bare-tree emblem, gauntlets, tall black boots, long sword on his hip. IGNORE the spear he holds in the reference: he has no spear of his own, hands free until the catch. CHARACTERS: Exactly three people. The hero is in every shot until 00:09. The two elves stand on the far bank directly behind the camera and are NOT visible, not even as silhouettes, before 00:09. No other people, creatures, animals, figures in the fog or banners. REALISM AND PRESERVATION (MOST IMPORTANT): It must look like a real camera recording of real people, not a render, not CGI, not a game cinematic. Same realism as the face close-up in image 1 for all three: visible pores, freckles, uneven natural skin tone, fine facial hair, flyaway and wet hair, real sweat and mud, no makeup look, no retouching, no plastic skin, no doll faces. Real fabric, leather, metal, mud, water, real ice with cloudy frost, bubbles and wet drips. The hero's warm natural tan, freckles, face, slim toned build, long straight silver hair and pale blue-grey eyes never change. The transformation only ADDS ice on top of her, never pale plastic or blue skin. The elves match their references in every shot. HERO BEFORE: brown taupe linen wrap dress with a V-neckline, high side slit and long flowing skirt, thin gold belt with an oval buckle, two thin gold upper-arm bands, thin gold necklace with a small cross. Barefoot. HERO AFTER (as image 2, real material): same face, freckles and silver hair as separate real strands, slightly frosted at the tips, never fluffy. Eyes stay pale blue with a faint cold reflection, not glowing lamps. Uneven plates of thick ice with cloudy white frost, clear translucent patches, ragged edges, wet in places, the blue only a faint reflection deep under the ice. Overlapping spiked ice shoulder plates, two fans of long jagged translucent ice spikes up to 1 metre tall behind the shoulders, ice forearm guards, ice gauntlets with pointed fingers, ice chest plate fully covering the chest up to a high lace-like ice collar, the original dress as a frost-stiffened skirt (never fur) with icicle fringes and the same slit, gold belt and gold arm bands set into the ice, flat-soled ice-plated boots growing up from her bare feet, no heels. No glossy plastic, no metal, no neon glow. THE SPEAR: about 2.2 m, two ends. The FRONT is the ICE HEAD: a large irregular shard of clear glassy ice shaped like a spearhead, about 50 cm long, fractured jagged facets, internal cracks, pointed tip, and inside it a round blue "eye" with bright blue iris, radiating fibres and a vertical slit pupil, like a reptile's eye, with a soft cold glow. The BACK is a blunt dark wooden BUTT. The shaft is a dark, rough, knotty wooden pole with bark texture, wrapped in a thin transparent ribbon of ice in loose spirals, lower part splattered with wet mud; it stays dark wood the whole video. SPEAR ORIENTATION (CRITICAL): At the start the spear is stuck HEAD DOWN, like a thrown javelin, at a slant of about 40 degrees from vertical: the ice head is at the BOTTOM with its pointed tip driven about 20 cm into the mud, its eye just above the mud surface, a ring of broken mud and a few bubbles around it. The long wooden shaft rises diagonally UP from it, ending in the blunt butt about 1.5 m above the ground. She grips the shaft about 1 m above the mud and pulls it UP and back, so the ice head comes OUT of the mud at the bottom, streaming mud; the spear is never flipped. Then she holds it by the shaft, ICE HEAD UP. For the throw she turns it so the ICE HEAD POINTS FORWARD at the target and the blunt butt is behind her hand; it flies head first and arrives head first. The ice head is never behind her hand. LOCATION: grey misty bog in a cold spruce forest, about 25 m wide: dark wet mud, black puddles, wet moss, dead grass; thin dark spruce trunks fading into thick fog, pale grey sky, slow fog, fine cold drizzle, a few snowflakes. Mud is soft but holds her. The camera side is a low mossy slope. THE ICE: as she transforms, the bog water around her freezes: thin cloudy ice sheets spread over the puddles and mud, crackle with irregular branching cracks, tilt and splinter. Cracks are uneven, never symmetrical, never a star pattern. The ground holds her. CAMERA AND LOOK: vertical 9:16, real handheld camera, visible shake, slightly delayed autofocus, small focus misses, drizzle and fog drifting past the lens, faint grain, muted natural colours, flat overcast grey light, no hard shadows. No glossy beauty lighting, rim light, heavy grading, lens flare or smooth gimbal. The camera and operator are never visible. Axis: until 00:16 the camera stays in front of the hero, so she faces the camera side. STORY: 00:00-00:02.5 HOOK First frame already in motion. Vertical medium shot from the front, knees up: the hero in her brown dress walks barefoot and fast through shallow bog water straight toward the camera, the ice spear stuck head down and slanted in the mud beside her path, the ice head with the glowing blue eye at the bottom, the dark wooden shaft rising up into the fog. Mud splashes at her feet, hair and hem move in the wind. Her eyes are on the spear, never on the camera. At the end of the shot her hand rises to the shaft. 00:02.5-00:04 GRIP Vertical close shot of the shaft. Her hand closes around the wood in ONE firm grip and she pulls the spear UP out of the mud with effort, the mud releasing the ice head at the bottom with a wet sucking sound, mud streaming off the glassy shard. As it comes free, frost forms on her skin: a thin film of ice races up her wrist and forearm and thickens into uneven plates, the gold arm band stays. Puddles around her feet begin to freeze. 00:04-00:06 TRANSFORMATION Vertical full-body shot from the front at a low angle, three-quarter view, her whole figure inside the frame, fog behind. In two seconds ice and frost spread from her arm over shoulders, neck, chest, skirt and legs: plates form, the ice collar closes, the fans of ice spikes rise behind her shoulders, ice boots grow up from her bare feet, her silver hair frosts and whips in the wind. Ice sheets crack and tilt around her feet. She stands fully transformed, the spear upright in her right hand, ice head up. 00:06-00:07.5 ROAR Vertical close shot of her face, neck and shoulders, slightly low angle. It starts on her face exactly as in the close-up of image 1, calm and intense, then a real human roar under strain: jaw open, brows down, neck tendons showing, still clearly the same woman with the same skin and freckles. Breath mist bursts into the fog, frost crystals on cheek, brows and hair, a faint cold blue light in her eyes. 00:07.5-00:09 THROW Vertical wide shot from the front at a low angle, her full body in frame, bog and fog behind. Her eyes are locked on a target at the camera side, a dark elf woman she can see but the camera cannot. She turns the spear in her hand so the ICE HEAD POINTS FORWARD at the camera side, steps forward on the cracking ice, draws it back over her right shoulder with the blunt butt behind her hand, and hurls it straight at the elf woman with her whole body: back leg drives, torso rotates, arm whips through, hair and ice spikes swing. The spear leaves her hand flat and fast, ICE HEAD FIRST, a few frost crystals in its wake. 00:09-00:10.5 SPEAR AT HER CHEST Cut to a vertical close shot of the dark elf woman (image 3) from shoulders to waist, in three-quarter profile facing the hero side at the left of the frame, fog behind her, bow in her left hand. The spear streaks in from the left edge at chest height, ICE HEAD FIRST, blurred and fast, aimed at the centre of HER chest, growing in the frame. She does not flinch. One continuous shot until the catch. 00:10.5-00:11.5 CATCH Same close shot. When the ice head is about 15 cm from her chest, a gauntleted hand sweeps in from the right edge across in front of her and clamps the wooden shaft about 40 cm behind the head with a sharp crack. The spear stops dead, the ice head still pointing at HER chest, shuddering. Nobody is hit, no blood. 00:11.5-00:12.5 REVEAL Vertical wide shot from the same side angle as the close shot, pulled back, both elves boots to head on the mossy slope in the fog, the hero side at the left of the frame. The spear lies horizontal in the air, ice head at her chest, butt toward the left. The dark elf man (image 4) stands beside her and slightly behind, on the right, outside the line of the spear, his arm reaching forward past her front, gauntlet clamped on the shaft, the ice head still pointing at her chest from 15 cm. It is clear that SHE was the target and he saved her. 00:12.5-00:14.5 ANGER Vertical medium close shot of the elf man alone, chest up. He pulls the spear back and holds it upright beside his face, ice head up, the blue eye glowing next to his cheek, a thin rime of frost creeping over his gauntlet. His glare turns into rage: eyes narrowed and locked across the bog on the thrower, jaw clenched, lip curling, nostrils flaring, neck tendons tight, knuckles whitening on the shaft, a slow hard breath of mist. 00:14.5-00:16 THE ARROW Vertical medium shot of the elf woman (image 3) from the front and slightly to the side, shoulders up, fog behind. In one smooth motion she pulls an arrow from the quiver over her shoulder, nocks it, draws the string back to her cheek, her amber eyes narrowed along the arrow at the hero across the bog, then releases: a sharp string snap, the arrow leaves. 00:16-00:18 THE ICE WALL Vertical wide shot from the side, the whole bog in frame: the hero in her ice armour on the left bank, the two elves on the right, about 25 m apart, the same screen sides as the spear flight. The arrow flies in a flat line from right to left toward her. She stands still, then sweeps both arms wide apart to the sides in one powerful motion: frost races out of her hands across the ground and a wall of thick, jagged, translucent ice erupts from the bog in front of her, about 3 m tall and 3 m wide. A split second later the arrow slams into the wall, the arrowhead biting into the ice, shards flying. The wall stands with the arrow stuck in it. 00:18-00:20 SMILE Vertical close shot of the hero from the front, her face exactly as in image 1 with her look from image 2, frosted silver hair moving, the top edge of the ice wall and the stuck arrow in soft focus at the bottom of the frame. Her arms lower, and she smiles slowly and confidently, her pale blue eyes with a cold light locked on the elves. She holds the look. The video ends here. SOUND: natural only. Wind in the spruces, drizzle, wet footsteps, soft tinkling of ice. A wet sucking sound as the spear is pulled out, crackling of freezing ice, her breathing and a real strained roar. A heavy ice crack at the throw, a rushing whoosh, a loud whip-crack at the catch with a metallic ring of the gauntlet, then his slow angry breath. A leather creak and a sharp string snap, the arrow's whistle, a deep cracking roar of ice erupting, a hard impact and shattering. No music, narration, voiceover or spoken words. CONTINUITY: - vertical 9:16 in every shot; real photographic skin, hair, armour, mud and ice, no CGI look; - the hero's skin, freckles, face and silver hair match image 1 in every shot, ice only added on top; after the transformation she matches image 2 as real ice, chest covered; - the elves match images 3 and 4 in every shot; exactly three people; the elves are not visible before 00:09; - the spear: ICE HEAD DOWN in the mud at the start, pulled up out of the mud, ICE HEAD UP in her hand, ICE HEAD FORWARD in the throw and the flight; its shaft stays dark wood and its head stays the glassy ice shard with the blue slit-pupil eye in every shot, including in the elf man's hand; - the spear flies in one straight line at the elf woman's chest and is stopped in the air before it touches her; the man is beside her, not the target; nobody is hit, no blood; - the arrow flies at the hero and is stopped by the ice wall before touching her; frozen puddles, ice sheets and the wall only grow, never melt back; - fixed order: walk up, grip, transformation, roar, throw, spear at her chest, catch, reveal, anger, arrow, ice wall, smile, each once; - same grey overcast light, fog and bog in all shots; the camera is never seen. No repeated attempts, slow motion, teleportation, duplicated people, other characters, silhouettes in the fog, banners, collage layouts, inset panels, outfit changes before the transformation, CGI, game-engine or 3D render look, plastic or airbrushed skin, blue or pale painted skin, doll faces, glowing neon eyes or armour, exposed chest, heels on the hero, fur, symmetrical star-pattern cracks, sinking into the mud, gore, wounds, captions, subtitles, text overlays, watermarks, recording interface.