MiniMax H3 穿深灰长袖的女子在旧走廊里先后关上两扇门提示词

MiniMax-H3 prompt👇 15 seconds, 16:9, realistic cinematic image-to-video. Use <Picture 1> as the first frame and only visual reference for the same adult woman, her face, dark long hair with pinned-up and loose strands, fitted dark gray long-sleeve outfit, the same peeling old corridor, the patterned-glass old wooden front door in the left foreground, the warm small lamp, and the right-side slanting daylight. The whole clip stays only in this corridor. Space lock: A = front door with black round knob in the left foreground, half open at start. B = dark rear door centered in deep background, slightly ajar at start. Fixed route only: she starts inside A, moves fast toward B, closes B fully with her right palm, returns along the same path toward A, steps over A’s threshold, turns back, grips A’s knob with her left hand, then closes A fully. A always stays front-left, B always stays deep center. On return, closed B remains visible behind her and half-open A remains visible ahead. Camera always stays on the same side of the action axis, never crosses axis, never passes through walls. Door material, hinge side, swing direction, and position never change. B moves only when touched. Right-side daylight direction stays constant. Performance: she wants to close B quietly, then leave as fast as possible. She starts already turning and moving. Near B, steps shorten, center lowers, eyes check the door gap first, lips part slightly then close. She suppresses shoe noise, holds half a breath, controls B with the right palm, and braces the frame with the left hand to cushion the final contact. After B is shut, her eyes hold on the gap for half a beat, then snap toward A before the body follows; on return she glances back once at B while still moving. At A she stops sharply; shoulders, chest fabric, and loose hair continue by inertia. Urgent breathing creates visible chest rise and slight tremor; only after breathing lowers does she slowly close A. Never play fear to camera. Three sensual action-linked close moments only: run-and-stop inertia; restrained breathing and hand control at B; breathing tremor and steadier hands after stopping at A. Color: cold-gray suspense realism. Cool charcoal and gray-blue shadows, aged brown wood, warm dusty-gold side light, natural warm skin, low saturation, medium-high contrast, readable blacks, soft highlight roll-off, fine film grain. No shot may change time of day, skin tone, clothing color, or light direction. [0.0-2.6s] Fast. Start from the original composition of <Picture 1>. She immediately turns and hurries toward B. 35mm natural-perspective shot, camera moving fast laterally along the right side of the corridor. A recedes and B grows ahead. The shot stays briefly close on her upper body, then lands with her hard stop in front of B. Loose hair keeps moving for half a beat. Face, collarbone, and chest fabric show natural inertia from the run and sudden braking. [2.6-7.3s] Extremely slow. Medium-close shot beside B, slow push from her right palm toward her side profile. One smooth rack focus from restrained breathing in the chest fabric and eye tension to the narrowing door gap. She whispers almost inaudibly, <d>[English] Easy. </d> When the door edge meets the aged frame, she absorbs the remaining force with her palm. Hold on hand and gap, confirming B fully shut. Left hand stays on the frame, right palm controls the leaf, breath stays half-held. At contact, one tiny dry paint chip splits into two or three flakes, falls, bounces once, then stops, with fine dust drifting into the right-side beam. [7.3-11.5s] Sudden fast return. Her eyes snap toward A first, then the body turns after them. Camera whip-pans with her turn and connects to a same-side backward follow shot. She moves quickly back through the right-side beam, with closed B left behind in depth and still half-open A re-entering ahead on the left. Camera never circles around her. Hair ends, sleeve edges, and floating dust lag briefly with the motion. Her steps stay fast and prepare for the stop at A. [11.5-15.0s] Hard stop, then extremely slow. Fixed close shot just outside A’s threshold. She steps out through A, brakes sharply, turns back, and grabs the black round knob with her left hand. Her chest is still visibly rising and falling from urgent breathing. She brings A back inch by inch, and her right palm cushions the final touch into the frame. The knob and patterned glass tremble briefly but do not break. A closes fully. Her palm stays on the door for half a beat while breathing gradually slows, then releases. End frame: she is outside A, both A and B are closed, and the corridor remains unchanged. Strict continuity: only one woman and the two doors A and B. Same face, hair, body shape, and clothing throughout. Keep the same relative distance and direction of A and B. Always close B before A. Her hands must make real contact with the doors. No extra rooms, no extra doorways, no other people, no reflections as figures, no drifting, no penetration, no exaggerated bounce, no subtitles, no narration, no on-screen text, no black screen. overall_soundscape One continuous corridor bed: faint distant house ambience, soft room tone, warm lamp hum, subtle outside air through old wood and glass, and occasional tiny grit under shoes. Opening fast section: quick footfalls, light gravel scrape, clothing movement, and rushing breath. Near B, footsteps become shorter and quieter as she suppresses sound. In the slow B-closing section, foreground low hinge friction, near-silent wood movement, restrained half-held breathing, and the almost whispered line <d>[English] Easy. </d> At contact, add a very soft touch against the weak frame, the tiny dry paint crack, two or three flakes falling, one tiny bounce, and dust settling into the light. During the fast return, bring back stronger footfalls, a short air movement from the turn, and cloth and hair motion. At A, emphasize the sharp stop, urgent breathing, hand on knob, slow controlled door movement, brief tremor of knob and patterned glass, and the final softened breath. Never reveal the threat directly; it exists only through her behavior, gaze, urgency, and sound control. non_diegetic_music Use a very restrained low-frequency suspense bed only. Keep it nearly absent during the opening run, let it rise subtly during the sudden turn back from B to A, then fade again during the final careful closing of A. Music must stay secondary to breath, foot friction, wood movement, hinge sound, paint flakes, and corridor ambience.