Seedance 2.0 韩国女学生格斗 电影写实提示词

[Reference Identity Lock]\nImage 1 is ONLY the main female protagonist. \nHer face, hairstyle, body type, and outfit must match Image 1 exactly and stay consistent for the entire video.\nImage 2 is ONLY a uniform reference. \nAll four opponents wear the school uniform shown in Image 2.\n\nNever swap, merge, duplicate, or blend identities.\nThe protagonist's identity comes ONLY from Image 1.\nThe four opponents have NO reference images. They are defined by the text descriptions below.\nThe four opponents must not resemble the protagonist, and they must not resemble each other.\nAll five characters must remain clearly distinct and recognizable until the end.\n\n[Priority Order]\n1. Preserve the protagonist's identity from Image 1.\n2. Keep the four opponents visually distinct from her and from each other.\n3. Maintain one continuous shot with no cuts.\n4. Keep the classroom layout spatially consistent.\n5. Make the action fast but readable and physically connected.\n6. Keep the tone as a Korean school action drama, stylish but grounded.\n\nKorean school action drama classroom fight scene — 15 seconds, ONE CONTINUOUS SHOT, NO CUTS.\n\nA single uninterrupted handheld shot.\nNo cuts, no scene transitions, no montage.\nThe camera should feel handheld, with micro-jitters, slight rolling shutter, and raw unstable realism.\nThe camera must physically travel through the same classroom space.\nEvery transition must be motivated by camera movement, not editing.\nWhip pans are allowed, but they must not hide a cut.\nDo not teleport the camera or characters.\nThe classroom layout and character positions must remain spatially consistent.\n\nAudio:\nNo music.\nOnly realistic school and classroom ambient sounds:\nold fluorescent light hum, distant hallway noise, ceiling fan, shoes scraping the floor, desks dragging, chair legs screeching, cloth friction, dull body impacts, and breathing that gradually becomes heavier.\nBreathing continues throughout the scene and keeps building.\n\nLighting:\nLate afternoon in a Korean high school classroom.\nMixed cool fluorescent light and warm sunlight through the windows.\nDust floating in the sunlight.\nSoft fan shadows moving across desks and school uniforms.\n\nMain character:\nThe Korean female high school student from Image 1, age 17–18.\nCold, emotionless, calm, and intimidating.\nShe barely speaks and does not scream during the fight.\nShe remains composed from beginning to end.\nHer movements are efficient, explosive, and precise.\nEven if her frame is not large, she dominates through speed, timing, and accuracy.\n\nMain outfit:\nExactly the outfit shown in Image 1.\nDo not change its colors, design, or details.\nHer jacket or outer layer is either removed and hanging on a chair, or worn in a slightly messy way.\nThe action must be non-sexualized and combat-focused.\nFabric movement, dust, sweat, wrinkles, and impact response should feel realistic.\n\nOpponent rules:\nFour Korean female high school students, all wearing the Hanlim Multi Art School uniform shown in Image 2.\nThey have no reference images. Define them strictly by these descriptions and keep each one consistent:\nOpponent A: short black bob with straight bangs, medium build, round face.\nOpponent B: long straight hair tied in a high ponytail, tall and lean, sharp jawline.\nOpponent C: shoulder-length hair with side-swept bangs, slim build, narrow face.\nOpponent D: long wavy hair worn loose, slightly stocky and broad-shouldered.\nA, B, C, and D must each keep clearly different faces, hairstyles, body shapes, and silhouettes.\nThey must not resemble the protagonist, and they must not resemble each other.\nNo face duplication, no face merging, no identity confusion.\n\nEnvironment:\nAn empty classroom at Hanlim Multi Art School, a Korean performing arts high school in Seoul.\nGreen chalkboard, chalk tray, worn wooden desks, plastic chairs, classroom clock, class schedule poster, discipline/life-guidance posters, cleaning tools, blinds or curtains, wall study materials, and a slightly scuffed floor.\nDesks and chairs should react naturally to impacts, sliding, shaking, and collapsing when hit.\n\nCamera framing rules:\nEven during kicks, framing should stay around chest-level or eye-level.\nNo low-angle shots under the skirt.\nDo not focus on legs, thighs, underwear, or fetish-like details.\nAll action framing must prioritize faces, upper-body motion, impact, and spatial choreography.\n\nContinuous action and camera choreography:\nFrom 0 to 15 seconds, the fight continues without any cuts.\nThe action should be stylish but readable, and every movement must be physically connected.\n\n0–3s:\nThe camera starts behind the protagonist at a slightly low handheld angle, drifting left through the classroom aisle.\nOpponent A grabs the protagonist's shoulder roughly and says in Korean:\n\"야, 너 지금 뭐 하자는 거야?\"\nThe protagonist silently turns and lands one hard straight punch to A's face.\nAt impact, use a very brief 15% slow motion:\ncheek ripple, dust particles, deep thud.\nA falls sideways into a desk.\nThe camera dips slightly from the shock, then whip-pans right without cutting.\n\n3–6s:\nOpponent B charges in from the right.\nThe protagonist steps forward instead of retreating.\nA short body shot to the stomach.\nImmediate uppercut to the chin.\nWithout pausing, she drives forward into a flying knee to B's chest.\nB is thrown backward across or into a desk.\nThe camera follows the forward motion low, then rebounds upward with the impact.\n\n6–9s:\nOpponent D attacks with two fast punches.\nThe protagonist deflects both strikes with her arms, then flows into a turning backfist to D's face.\nAs D staggers, she continues the same rotation into a spinning back elbow that lands hard on D's jaw or temple.\nD crashes sideways into two or three desks.\nThe camera arcs around her shoulder and jitters slightly at each impact.\nNo cuts.\n\n9–12s:\nOpponent C rushes in from the chalkboard side.\nThe protagonist clearly grabs C's collar with her left hand.\nC's face must be fully visible from the front and clearly different from the protagonist.\nThe protagonist lands one short, hard punch to C's face, then immediately throws a powerful high kick or flying high kick into C's chest.\nThe force sends C backward into the green chalkboard.\nThe protagonist remains in the foreground and never touches the board.\nThe protagonist's face should be side-profile or partially obscured.\nC's face should be clearly visible from the front at the moment of impact.\nTheir faces must never overlap in frame.\nUse a very brief 20% slow motion at the chalkboard impact:\nchalk dust bursts outward, and C slides down the board.\nThe camera pushes up with the impact, then tilts down as C slides.\n\n12–15s:\nThrough the chalk dust, the camera hard-pans right.\nD makes one final charge.\nThe protagonist sidesteps and lands a tight uppercut to D's chin, followed immediately by a cross.\nD crashes into a row of desks, causing a chain reaction of collapsing desks and chairs.\nThe camera drifts forward slowly.\nThe protagonist adjusts her loose tie or ribbon and brushes chalk dust off her shoulder.\nHer expression stays cold and serious.\nShe walks past the camera and exits the frame.\nDust floats in the sunlight.\nNatural ending.